The Foundation is committed to complying with the laws regulating

relief against the red flashes of lightning which played with well-nigh unintermittent incandescence athwart the storm cloud beyond. There he stood, his features working horribly, the tangled masses of his beard and hair floating in the fitful gusts which came whistling up from the dizzy height. Never, to their dying day, would the spectators forget the sight. Yet they could do nothing.With a choking cackle, like an attempt at a laugh, the maniac turned again to the awful height. The spectators held their breaths and their blood ran cold. Then they saw him gather his legs beneath him and spring far out into space.Petrified with horror, they rushed to the brink and peered over. The smooth rock face fell without a break down to the tree-tops at a dizzy depth beneath. These were still quivering faintly as though recently disturbed. But at that moment heaven’s artillery roared in one vast deafening, crackling roll. The air was ablaze with vivid blue flame, and driven before the tornado blast, sheet upon sheet of deluging rain crashed down upon them, beating them to the earth by the very weight and fury of its volume.Chapter Forty Eight.Envoi.Ring we the curtain down—for our tale is ended and we have no desire to point a moral thereto. Years have gone by, and new homesteads have risen upon the ashes of the old ones; and flocks and herds are once more grazing in security upon those grassy plains, those pleasant plains, so sunny, so peaceful, so smiling.And how the broken and decimated tribes were settled on new locations, and how the ringleaders and prominent fighting men of those who owned British allegiance were sentenced to long terms of imprisonment, and how the Gaika location was parcelled out into farms, and as such leased by the Department of Crown Lands to white settlers; and how in consideration of certain acts of forbearance and humanityexercised during the period of hostilities and resulting in the saving of several European lives, the sentences of imprisonment passed upon Nteya and Ncanduku were remitted—mainly through the exertions of Eustace Milne—and the two sub-chiefs were allowed to rejoin the banished remnant of their tribe in its new location beyond the Kei—are not all these things matters of history?And how the sad relics of poor Tom Carhayes, his fate now under no sort of doubt, were gathered together beneath the great krantz in the Bashi valley on the morning after his insane and fatal leap, and conveyed to the settlement for burial, and how Eustace Milne, punctilious to a hair in his dealings with his barbarous neighbours, had paid over the stipulated ransom, even to the very last hoof, to the relatives of Hlangani, even though the contingency of that warrior’s demise was in no wise provided for in the original agreement—these things, too, are they not graven in the memories of all concerned?But if, to some, the war has brought ruin and death and bereavement, it has entailed vastly different results upon two other persons at any rate; and those, needless to say, the two with whom our story has been mainly concerned. For their good fortune has been great —greater, we fear, than they had any right to expect. They are flourishing exceedingly, and now, after years of union, it still seems to them that they have only just begun to enter upon that glowing vista of lifelong happiness, down which they had gazed so wistfully in the old, troubled, and well-nigh hopeless time. But after sorrow and heaviness cometh joy —sometimes. And it has come to these two, by a weird irony of Fate, has come through the agency of a wild and sanguinary drama—through the consistent ferocity of a vindictive barbarian and the logical outcome thereof—even Hlangani’s Revenge.| Chapter 1 | | Chapter 2 | | Chapter 3 | | Chapter 4 | | Chapter 5 | | Chapter 6 | | Chapter 7 | | Chapter 8 | | Chapter 9 | | Chapter 10 | | Chapter 11 | | Chapter 12 | | Chapter 13 | | Chapter 14 | | Chapter 15 | | Chapter 16 | | Chapter 17 | | Chapter 18 | | Chapter 19 | | Chapter 20 | | Chapter 21 | | Chapter 22 | | Chapter 23 | | Chapter 24 | | Chapter 25 | | Chapter 26 | | Chapter 27 | | Chapter 28 | | Chapter 29 | | Chapter 30 | | Chapter 31 | | Chapter 32 | | Chapter 33 | | Chapter 34 | | Chapter 35 | | Chapter 36 | | Chapter 37 | | Chapter 38 | | Chapter 39 | | Chapter 40 | | Chapter 41 | | Chapter 42 | | Chapter 43 | | Chapter 44 | | Chapter 45 | | Chapter 46 | | Chapter 47 | | Chapter 48 |

End of the Project Gutenberg EBook of 'Tween Snow and Fire, by Bertram Mitford*** END OF THIS PROJECT GUTENBERG EBOOK 'TWEEN SNOW AND FIRE ******** This file should be named 32896-h.htm or 32896-h.zip *****This and all associated files of various formats will be found in: http://www.gutenberg.org/3/2/8/9/32896/Produced by Nick Hodson of London, EnglandUpdated editions will replace the previous one--the old editions will be renamed.Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without permission and without paying copyright royalties. Special rules, set forth in the General Terms of Use part of this license, apply to copying and distributing Project Gutenberg-tm electronic works to protect the PROJECT GUTENBERG-tm concept and trademark. Project Gutenberg is a registered trademark, and may not be used if you charge for the eBooks, unless you receive specific permission. If you do not charge anything for copies of this eBook, complying with the rules is very easy. You may use this eBook for nearly any purpose such as creation of derivative works, reports, performances and research. They may be modified and printed and given away--you may do practically ANYTHING with public domain eBooks. Redistribution is subject to the trademark license, especially commercial redistribution.*** START: FULL LICENSE ***THE FULL PROJECT GUTENBERG LICENSEPLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORKTo protect the Project Gutenberg-tm mission of promoting the free distribution of electronic works, by using or distributing this work (or any other work associated in any way with the phrase "Project Gutenberg"), you agree to comply with all the terms of the Full Project Gutenberg-tm License (available with this file or online at http://gutenberg.org/license).Section 1. General Terms of Use and Redistributing Project Gutenberg-tm electronic works1.A. By reading or using any part of this Project Gutenberg-tm electronic work, you indicate that you have read, understand, agree to and accept all the terms of this license and intellectual property (trademark/copyright) agreement. If you do not agree to abide by all the terms of this agreement, you must cease using and return or destroy all copies of Project Gutenberg-tm electronic works in your possession. If you paid a fee for obtaining a copy of or access to a Project Gutenberg-tm electronic work and you do not agree to be bound by the terms of this agreement, you may obtain a refund from the person or entity to whom you paid the fee as set forth in paragraph 1.E.8.1.B. "Project Gutenberg" is a registered trademark. It may only be used on or associated in any way with an electronic work by people who agree to be bound by the terms of this agreement. There are a few things that you can do with most Project Gutenberg-tm electronic works even without complying with the full terms of this agreement. See paragraph 1.C below. There are a lot of things you can do with Project Gutenberg-tm electronic works if you follow the terms of this agreement and help preserve free future access to Project Gutenberg-tm electronic works. See paragraph 1.E below.1.C. The Project Gutenberg Literary Archive Foundation ("the Foundation" or PGLAF), owns a compilation copyright in the collection of Project Gutenberg-tm electronic works. Nearly all the individual works in the collection are in the public domain in the United States. If an individual work is in the public domain in the United States and you are located in the United States, we do not claim a right to prevent you from copying, distributing, performing, displaying or creating derivative works based on the work as long as all references to Project Gutenberg are removed. Of course, we hope that you will support the Project Gutenberg-tm mission of promoting free access to electronic works by freely sharing Project Gutenberg-tm works in compliance with the terms of this agreement for keeping the Project Gutenberg-tm name associated with the work. You can easily comply with the terms of this agreement by keeping this work in the same format with its attached full Project Gutenberg-tm License when you share it without charge with others.1.D. The copyright laws of the place where you are located also govern what you can do with this work. Copyright laws in most countries are in a constant state of change. If you are outside the United States, check the laws of your country in addition to the terms of this agreement before downloading, copying, displaying, performing, distributing or creating derivative works based on this work or any other Project Gutenberg-tm work. The Foundation makes no representations concerning the copyright status of any work in any country outside the United States.1.E. Unless you have removed all references to Project Gutenberg:1.E.1. The following sentence, with active links to, or other immediate access to, the full Project Gutenberg-tm License must appear prominently whenever any copy of a Project Gutenberg-tm work (any work on which the phrase "Project Gutenberg" appears, or with which the phrase "Project Gutenberg" is associated) is accessed, displayed, performed, viewed, copied or distributed:This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.org1.E.2. If an individual Project Gutenberg-tm electronic work is derived from the public domain (does not contain a notice indicating that it is posted with permission of the copyright holder), the work can be copied and distributed to anyone in the United States without paying any fees or charges. If you are redistributing or providing access to a work with the phrase "Project Gutenberg" associated with or appearing on the work, you must comply either with the requirements of paragraphs 1.E.1 through 1.E.7 or obtain permission for the use of the work and the Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or 1.E.9.1.E.3. If an individual Project Gutenberg-tm electronic work is posted with the permission of the copyright holder, your use and distribution must comply with both paragraphs 1.E.1 through 1.E.7 and any additionalterms imposed by the copyright holder. Additional terms will be linked to the Project Gutenberg-tm License for all works posted with the permission of the copyright holder found at the beginning of this work.1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm License terms from this work, or any files containing a part of this work or any other work associated with Project Gutenberg-tm.1.E.5. Do not copy, display, perform, distribute or redistribute this electronic work, or any part of this electronic work, without prominently displaying the sentence set forth in paragraph 1.E.1 with active links or immediate access to the full terms of the Project Gutenberg-tm License.1.E.6. You may convert to and distribute this work in any binary, compressed, marked up, nonproprietary or proprietary form, including any word processing or hypertext form. However, if you provide access to or distribute copies of a Project Gutenberg-tm work in a format other than "Plain Vanilla ASCII" or other format used in the official version posted on the official Project Gutenberg-tm web site (www.gutenberg.org), you must, at no additional cost, fee or expense to the user, provide a copy, a means of exporting a copy, or a means of obtaining a copy upon request, of the work in its original "Plain Vanilla ASCII" or other form. Any alternate format must include the full Project Gutenberg-tm License as specified in paragraph 1.E.1.1.E.7. Do not charge a fee for access to, viewing, displaying, performing, copying or distributing any Project Gutenberg-tm works unless you comply with paragraph 1.E.8 or 1.E.9.1.E.8. You may charge a reasonable fee for copies of or providing access to or distributing Project Gutenberg-tm electronic works provided thatYou pay a royalty fee of 20% of the gross profits you derive from the use of Project Gutenberg-tm works calculated using the method you already use to calculate your applicable taxes. The fee is owed to the owner of the Project Gutenberg-tm trademark, but he has agreed to donate royalties under this paragraph to the Project Gutenberg Literary Archive Foundation. Royalty payments must be paid within 60 days following each date on which you prepare (or are legally required to prepare) your periodic tax returns. Royalty payments should be clearly marked as such and sent to the Project Gutenberg Literary Archive Foundation at the address specified in Section 4, "Information about donations to the Project Gutenberg Literary Archive Foundation."You provide a full refund of any money paid by a user who notifies you in writing (or by e-mail) within 30 days of receipt that s/he does not agree to the terms of the full Project Gutenberg-tm License. You must require such a user to return ordestroy all copies of the works possessed in a physical medium and discontinue all use of and all access to other copies of Project Gutenberg-tm works.You provide, in accordance with paragraph 1.F.3, a full refund of any money paid for a work or a replacement copy, if a defect in the electronic work is discovered and reported to you within 90 days of receipt of the work.You comply with all other terms of this agreement for free distribution of Project Gutenberg-tm works.

1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tmelectronic work or group of works on different terms than are set forth in this agreement, you must obtain permission in writing from both the Project Gutenberg Literary Archive Foundation and Michael Hart, the owner of the Project Gutenberg-tm trademark. Contact the Foundation as set forth in Section 3 below.1.F.1.F.1. Project Gutenberg volunteers and employees expend considerable effort to identify, do copyright research on, transcribe and proofread public domain works in creating the Project Gutenberg-tmcollection. Despite these efforts, Project Gutenberg-tm electronic works, and the medium on which they may be stored, may contain "Defects," such as, but not limited to, incomplete, inaccurate or corrupt data, transcription errors, a copyright or other intellectual property infringement, a defective or damaged disk or other medium, a computer virus, or computer codes that damage or cannot be read by your equipment.1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES - Except for the "Right of Replacement or Refund" described in paragraph 1.F.3, the Project Gutenberg Literary Archive Foundation, the owner of the Project Gutenberg-tm trademark, and any other party distributing a Project Gutenberg-tm electronic work under this agreement, disclaim all liability to you for damages, costs and expenses, including legal fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICTLIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSEPROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THETRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BELIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE ORINCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCHDAMAGE.1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND - If you discover a defect in this electronic work within 90 days of receiving it, you can receive a refund of the money (if any) you paid for it by sending a written explanation to the person you received the work from. If you received the work on a physical medium, you must return the medium with your written explanation. The person or entity that provided you with the defective work may elect to provide a replacement copy in lieu of a refund. If you received the work electronically, the person or entity providing it to you may choose to give you a second opportunity to receive the work electronically in lieu of a refund. If the second copy is also defective, you may demand a refund in writing without further opportunities to fix the problem.1.F.4. Except for the limited right of replacement or refund set forth in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHERWARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TOWARRANTIES OF MERCHANTIBILITY OR FITNESS FOR ANY PURPOSE.1.F.5. Some states do not allow disclaimers of certain implied warranties or the exclusion or limitation of certain types of damages. If any disclaimer or limitation set forth in this agreement violates the law of the state applicable to this agreement, the agreement shall be interpreted to make the maximum disclaimer or limitation permitted by the applicable state law. The invalidity or unenforceability of any provision of this agreement shall not void the remaining provisions.1.F.6. INDEMNITY - You agree to indemnify and hold the Foundation, the trademark owner, any agent or employee of the Foundation, anyone providing copies of Project Gutenberg-tm electronic works in accordance with this agreement, and any volunteers associated with the production, promotion and distribution of Project Gutenberg-tm electronic works,

harmless from all liability, costs and expenses, including legal fees, that arise directly or indirectly from any of the following which you do or cause to occur: (a) distribution of this or any Project Gutenberg-tm work, (b) alteration, modification, or additions or deletions to any Project Gutenberg-tm work, and (c) any Defect you cause.Section 2. Information about the Mission of Project Gutenberg-tmProject Gutenberg-tm is synonymous with the free distribution of electronic works in formats readable by the widest variety of computers including obsolete, old, middle-aged and new computers. It exists because of the efforts of hundreds of volunteers and donations from people in all walks of life.Volunteers and financial support to provide volunteers with the assistance they need, are critical to reaching Project Gutenberg-tm's goals and ensuring that the Project Gutenberg-tm collection will remain freely available for generations to come. In 2001, the Project Gutenberg Literary Archive Foundation was created to provide a secure and permanent future for Project Gutenberg-tm and future generations. To learn more about the Project Gutenberg Literary Archive Foundation and how your efforts and donations can help, see Sections 3 and 4and the Foundation web page at http://www.pglaf.org.Section 3. Information about the Project Gutenberg Literary Archive FoundationThe Project Gutenberg Literary Archive Foundation is a non profit 501(c)(3) educational corporation organized under the laws of the state of Mississippi and granted tax exempt status by the Internal Revenue Service. The Foundation's EIN or federal tax identification number is 64-6221541. Its 501(c)(3) letter is posted at http://pglaf.org/fundraising. Contributions to the Project Gutenberg Literary Archive Foundation are tax deductible to the full extent permitted by U.S. federal laws and your state's laws.The Foundation's principal office is located at 4557 Melan Dr. S. Fairbanks, AK, 99712., but its volunteers and employees are scattered throughout numerous locations. Its business office is located at 809 North 1500 West, Salt Lake City, UT 84116, (801) 596-1887, email [email protected]. Email contact links and up to date contact information can be found at the Foundation's web site and official page at http://pglaf.orgFor additional contact information: Dr. Gregory B. NewbyChief Executive and Director [email protected] 4. Information about Donations to the Project Gutenberg Literary Archive FoundationProject Gutenberg-tm depends upon and cannot survive without wide spread public support and donations to carry out its mission of increasing the number of public domain and licensed works that can be freely distributed in machine readable form accessible by the widest array of equipment including outdated equipment. Many small donations ($1 to $5,000) are particularly important to maintaining tax exempt status with the IRS.

The Foundation is committed to complying with the laws regulatinghusband.The fact was that where her strongest, deepest feelings were concerned, Eanswyth, like most other women, was a bad actress. The awful poignancy of her suffering had been too real—the subsequent and blissful revulsion too overpowering—for her to be able to counterfeit the one or dissemble the other, with anything like a satisfactory result. Those who had witnessed the former, now shook their heads, feeling convinced that they had then mistaken the object of it. They began to look at Eanswyth ever so little, askance.But why need she care if they did? She was independent, young and beautiful. She loved passionately, and her love was abundantly returned. A great and absorbing interest has a tendency to dwarf all minor worries. She did not, in fact, care.Eustace, thanks to his cool and cautious temperament, was a better actor; so good, indeed, that to those who watched them it seemed that the affection was mainly, if not entirely, on one side. Sometimes he would warn her.“For your own sake, dearest,” he would say on such rare occasions when they were alone together. “For your own sake try and keep up appearances a little longer; at any rate until we are out of this infernal back-biting, gossipy little hole. Remember, you are supposed to be plunged in an abyss of woe, and here you are looking as absurdly happy as a bird which has just escaped from a cage.”“Oh, darling, you are right as usual,” she would reply, trying to look serious. “But what am I to do? No wonder people think I have no heart.”“And they think right for once, for you have given it away—to me. Do keep up appearances, that’s all. It won’t be for much longer.”Eustace had secured a couple of rooms for his own use in one of the neighbouring cottages. The time not spent with Eanswyth was got through strolling about the camp, or now and then taking a short ride out into the veldt when the entourage was reported safe. But this, in

deference to Eanswyth’s fears, he did but seldom.“Why on earth don’t you go to the front again, Milne?” this or that friend or acquaintance would inquire. “You must find it properly slow hanging on in this hole. I know I do. Why, you could easily get a command of Fingo or Hottentot levies, or, for the matter of that, it oughtn’t to be difficult for a fellow with your record to raise a command on your own account.”“The fact is I’ve had enough of going to the front,” Eustace would reply. “When I was there I used often to wonder what business it was of mine anyway, and when the Kafirs made a prisoner of me, my first thought was that it served me devilish well right. I give you my word it was. And I tell you what it is. When a man has got up every day for nearly a month, not knowing whether he’d go to bed between his blankets that night or pinned down to a black ants’ nest, he’s in no particular hurry to go and expose himself to a repetition of the process. It tells upon the nerves, don’t you know.”“By Jove, I believe you,” replied the other. “I never knew Jack Kafir was such a cruel devil before, at least not to white men. Well, if I’d gone through what you have, I believe I’d give the front a wide berth, too. As it is, I’m off in a day or two, I hope.”“I trust you may meet with better luck,” said Eustace.One day a considerable force of mounted burghers started for the Transkei—a good typical force—hardened, seasoned frontiersmen all, well mounted, well armed; in fact, a thoroughly serviceable looking corps all round. There was the usual complement of spectators seeing them off —the usual amount of cheering and hat-waving. On the outskirts of the crowd was a sprinkling of natives, representing divers races and colours.“Au!” exclaimed a tall Gaika, as the crowd dispersed. “That will be a hard stone for Kreli to try and crush. If it was the Amapolise (Police) he could knock them to pieces with a stick. Mere boys!”“What’s that you say, Johnny?” said a hard-fisted individual, turningthreateningly upon the speaker.“Nothing. I only made a remark to my comrade,” replied the man in his own language.“Did you?” said the other walking up to the Kafir and looking him straight in the eye. “Then just keep your damned remarks to yourself, Johnny, or we shall quarrel. D’you hear?”But the Kafir never quailed, never moved. He was a tall, powerful native and carried his head grandly. The white man, though shorter, looked tough and wiry as whip cord. The crowd, which had been scattering, gathered round the pair with the celerity of a mob of London street-cads round a fallen cab-horse.“What’s the row? A cheeky nigger? Give him fits, Mister! Knock him into the middle of next week!” were some of the cries that burst from the group of angry and excited men.“I have committed no offence,” said the Kafir. “I made a remark to a comrade, saying what a fine lot of men those were.”“Oh, yes? Very likely!” shouted several ironically.“See here now. You get out of this,” said the first man. “Do you hear, get out. Don’t say another word—or—”He did not finish. Stung by a contemptuous look in the Kafir’s eyes, he dashed his fist full into his face.It was a crushing blow—but the native did not fall. Like lightning he aimed a blow at his assailant’s head with his heavy kerrie—a blow which would have shattered the skull like an egg shell. But the other threw up his arm in time, receiving nearly the full force of the blow on that member, which dropped to his side completely paralysed. Without attempting to follow up his success the savage sprang back, whirling his kerrie round his head. The crowd, taken by surprise, scattered before him.Only for a moment, though. Like a pack of hounds pressed back by a

stag at bay they gave way but to close up again. In a trice the man’s kerrie was struck from his grasp, and he was thrown down, beaten, kicked, and very roughly handled.“Tie up the schelm!”“Give him six dozen well-laid on!” “Six dozen without counting!” “Cheeky brute!” were some of the shouts that accompanied each kick and blow dealt or aimed at the prostrate Kafir, who altogether seemed to be having a pretty bad time of it.“That’s a damned shame!” exclaimed a voice behind them.All started and turned their heads, some astonished—all angry— some perhaps a little ashamed of themselves—towards the owner of the voice, a horseman who sat calmly in his saddle some twenty yards away —an expression of strong disgust upon his features.“What have you got to say to it anyhow, I’d like to know?” cried the man who had just struck the native.“What I said before—that it’s a damned shame,” replied Eustace Milne unhesitatingly.“What’s a shame, Mister?” sneered another. “That one o’ your precious black kids is getting a hidin’ for his infernal cheek?”“That it should take twenty men to give it him, and that, too, when he’s down.”“I tell you what it is, friend,” said the first speaker furiously. “It may take rather less than twenty to give you one, and that, too, when you’re up!” which sally provoked a blatant guffaw from several of the hearers.“I’m not much afraid of that,” answered Eustace tranquilly. “But now, seeing that British love of fair play has been about vindicated by a score of Englishmen kicking a prostrate Kafir, how would it be to let him get up and go?”The keen, biting sarcasm told. The group, which mainly consisted of the low element, actually did begin to look a trifle ashamed of itself. The better element composing it gave way and took itself off, as Eustace deliberately walked his horse up to the fallen native. There were a few muttered jeers about “the nigger’s friend” and getting into the Assembly on the strength of “blanket votes,” (The native franchise, derisively so termed) and so forth, but none offered any active opposition except one, however, and that was the man who had originated the disturbance.“Look here,” he shouted savagely. “I don’t know who you are and I don’t care. But if you don’t take yourself off out of this mighty quick, I’ll just about knock you into a jelly; you see if I don’t.”“Ja, that’s right. Serve him as you did the nigger!” yelled the bystanders, a lot of rowdy hobbledehoys and a contingent of town loafers whom the prospect of an easy-going, devil-may-care life in the veldt had drawn from the more sober avocations of bricklaying and waggon-building within the Colony, and who, it may be added, distinguished themselves at the seat of hostilities by such a line of drunken mutinous insubordination as rendered them an occasion of perennial detestation and disgust to their respective commanders. These now closed up around their bullying, swash-bucklering champion, relieving their ardently martial spirits by hooting and cat’s calls. It was only one man against a crowd. They felt perfectly safe.“Who sold his mate to the blanked niggers!” they yelled. “Ought to be tarred and feathered. Come on, boys; let’s do it. Who’s for tarring and feathering the Kafir spy?”All cordially welcomed this spicy proposal, but curiously enough, no one appeared anxious to begin, for they still kept some paces behind the original aggressor. That worthy, however, seemed to have plenty of fight in him, for he advanced upon Eustace unhesitatingly.“Come now. Are you going to clear?” he shouted. “You’re not? All right. I’ll soon make you.”A stirrup-iron, wielded by a clever hand, is a terribly formidable